 | | Kristin Prevallet’s previous books include Shadow Evidence Intelligence (Factory School, 2006), Scratch Sides: Poetry, Documentation, and Image-Text Projects (Skanky Possum, 2002), and Perturbation, My Sister: A Study of Max Ernst's Hundred Headless Woman (First Intensity, 1997). Her essays, poems, and translations have appeared in several magazines including Jacket, The Nation, Chain, Poetry New York, Poets and Writers, Conjunctions, Seneca Review, Bombay Gin and The Chicago Review. From 1994-1997, she served as one of four editors of apex of the M, a literary magazine based in Buffalo, NY that published six issues of exciting work from both emerging and more established writers. She recently co-edited Third Mind: Creative Writing Through Visual Art with Tonya Foster (Teachers & Writers, 2002), an anthology of essays about the challenges and rewards of uniting art and writing in the classroom. Her selected edition of Helen Adam's ballads and collages, The Helen Adam Reader, is forthcoming from the National Poetry Foundation. |
